Nina Allan’s astonishing novel The Rift came to mind last weekend, and not simply because of its imminent release. (I was fortunate to read this novel pre-publication and it is published today by Titan). It came to mind as I arrived home from my cycling holiday on the west coast of Scotland. I felt as though I’d slipped through a rift of sorts myself, from a parallel universe of spectacular scenery, of quiet roads and CalMac ferries, of clean air, seals and sea otters, where the intensity of the real world seemed unfathomably distant.
The Rift centres on the disappearance of seventeen-year-old Julie and her reappearance twenty years later to the astonishment of her sister Selena and her mother. Where has Julie been? Does she dare to tell them?
The novel starts out as a compelling contemporary mystery and morphs into speculative territory via a rift, it seems, in the fabric of space. Allan prepares the reader for this with subtlety. For example, there’s passing reference to her father’s interest in alien abduction testimonies. It’s also neatly presaged by Selena and Julie’s teenage in-joke about aliens.
Indeed, Allan foreshadows the alien worlds of Tristane and Dea: “Selena tried to imagine what it would be like to live in a world where everything was the same as it was in reality with one exception.” I knew something fantastical was going to happen when I read that! Read more
I’ll keep this as brief as I can for all you lovely but busy people: I’m in a fab line-up of authors for the short story anthology 2084 (Unsung Stories), and any support for the Kickstarter will be massively appreciated! There’s a special edition of the anthology with its own cover art for the Kickstarter campaign. Fingers crossed we meet the target.
Stories by Jeff Noon, Christopher Priest, James Smythe, Lavie Tidhar, Aliya Whiteley, David Hutchinson, Cassandra Khaw, Desirina Boskovich, Ian Hocking, Oliver Langmead and me.
My own story, “A Good Citizen” imagines a future with weekly referendums and a universal wage. Picture a world with a recurring nightmare of near-Brexit proportions!
Early reviews for Dreams Before the Start of Time
Publishers’ Weekly has given a starred review to my upcoming novel. This is a brilliant start for Dreams Before the Start of Time, my third novel. For those who don’t know PW, this New York-based magazine reviews some 9,000 novels a year and gives a starred review to those ‘of exceptional merit’. It’s a go-to magazine for those in the publishing industry. So needless to say I’m pretty chuffed. Read more
I had not one but THREE brief chats with my author hero Michael Cunningham at Hay Festival—at his author event, at his book signing and, by sheer coincidence, at the bar of the Old Black Lion. No, I wasn’t stalking!
Unbelievably, in my opinion, this was Cunningham’s first appearance at Hay Festival. He told me he’d been waiting for an invite.
Cunningham won the Pulitzer Prize for his exquisite fourth novel The Hours, which happens to be my favourite novel of all time. The film version of the book was directed by Stephen Daldry and starred Meryl Streep, Nicole Kidman, Julianne Moore, Ed Harris and Clare Danes. In his Hay Festival conversation with Rosie Goldsmith he said, “I must be the only living author who’s happy with the film of their book.”
Incidentally, his fifth novel, Specimen Days, was written in three parts and included a science fiction element. I asked about this foray into SF because of my own writing inclinations and he said that science fiction was definitely part of the zeitgeist at the time he wrote the novel.
The Snow Queen is his latest novel and it opens thus: Read more
Happy New Year! While you’re all chilling on New Year’s Day I thought I’d offer some book recommendations based on my recent reading. What’s surprising is that I’ve not read a single eBook over the past month – only print copies. Here’s a fab selection including three novels from the Man Booker 2013 shortlist and some old favourites. I can recommend them all:
In-Flight Entertainment, short stories by Helen Simpson (several stories touching on issues around climate change);
The Testament of Mary, short story by Colm Toibin (Booker shortlisted. A reading highlight of my year); Read more
It’s four weeks since 47North released a new edition of A Calculated Life and I thought I’d mark the occasion by doing a round-up of all the recent guest posts and reviews I’ve written. It’s been manic, but a great deal of fun. I really appreciate the massive amount of support I’ve received from other 47North authors and the good wishes from readers. Those all-important reviews are coming in and it’s pretty encouraging so far. Read more
Three short stories are in contention for the Hugo Award and they are diverse. I’ve enjoyed them all. And, as I’m writing a few short stories at the moment, I’ve found it fascinating to read the best of 2013 (as nominated and selected by members of the World Science Fiction Society).
Here’s an admission: I’d intended to read all the shortlisted novels because I wanted to compare them with the Arthur C Clarke Award shortlist, which I reviewed here earlier this year. But with all the work involved with my novel’s new release by 47North, I scaled back my ambition. First, I opted to read all the shortlisted novellas, and later I scaled back again and decided to read the shortlisted short stories. So I spent a lovely Sunday afternoon reading these stories in the shade of my apple tree. Read more
Before you all hit ‘silent mode’ for the month of August (that is, those of you who live in the northern hemisphere), I thought I’d bring you up to date with what’s happening in my little world. It’s just one month since I received the email from David Pomerico at 47North offering me a publishing deal, and it’s been full-on hectic – in a good way – since then. But before I tell you what’s happening with the new edition of my book…
Over at Strange Horizons (SF articles, reviews, new fiction), you’ll find my review of Ioanna Bourazopoulou’s What Lot’s Wife Saw, translated by Yiannis Panas. This dystopian novel won the The Athens Prize for Literature.
While you are there, I’d recommend the article Evaporating Genres, by Gary K. Wolfe. Gary examines the crossover of SF with historical fiction, horror, fantasy and thrillers. Also, Niall Harrison is reviewing Angela Carter’s Nights at the Circus, which my local book group is reading at this very moment. Read more
Will Self always pulls a big crowd at Hay and this year he dished out a sizzling mix of wit and venom, plus comic banter with interviewer Sarfraz Manzoor. In a (literally) terrific performance, he read from his latest novel Umbrella. As he later explained to the audience, Umbrella is the completion of a trilogy that follows ‘the outsourcing of violence’ in modern times.
He said Umbrella’s main character Audrey Death – a post-encephalytic patient in a London asylum – embodied the impact of technological developments in the 20th Century. In 1908 Henry T Ford built his first industrial production line, said Self, and in 1914 this new wave of industrialisation transferred to the trenches creating a production line of death. Read more
‘I do love the basic Anglo Saxon vocabulary,’ said US-writer Lydia Davis at Hay Festival. The remark was prompted by a question from the audience (Why do you write so many single-syllable words?) Davis continued: ‘I do like the Latinate, too, but Anglo Saxon is the language of great emotion. “I am so mad.” “You are so wrong.” When to use different registers of language is an interesting question. The story itself makes the choice.’ Read more