Neve Maslakovic switched from being a research engineer to being a fiction writer. Both professions are creative endeavours, she says, but in science fiction you don’t have to stick to the Rules of the Universe. The ink is now drying on the manuscript of her third novel. In this conversation, we explore are similar backgrounds, discuss our different paths to finding a publisher, and find we share a love of writing dialogue. Read more
The 47North editorial, design and publicity teams have surpassed themselves! In the space of just two months — since acquisitions editor David Pomerico signed me up — they have created a fabulous new cover for A Calculated Life, expedited my manuscript through the editing and proofing process, organized the audiobook and generally ‘put the word out there’. I’ve been involved at every stage in the process!
Little did I know when I took the difficult decision to self-publish my novel that, eight months later, I’d be signing a book deal with a US publisher. Read more
Three short stories are in contention for the Hugo Award and they are diverse. I’ve enjoyed them all. And, as I’m writing a few short stories at the moment, I’ve found it fascinating to read the best of 2013 (as nominated and selected by members of the World Science Fiction Society).
Here’s an admission: I’d intended to read all the shortlisted novels because I wanted to compare them with the Arthur C Clarke Award shortlist, which I reviewed here earlier this year. But with all the work involved with my novel’s new release by 47North, I scaled back my ambition. First, I opted to read all the shortlisted novellas, and later I scaled back again and decided to read the shortlisted short stories. So I spent a lovely Sunday afternoon reading these stories in the shade of my apple tree. Read more
One step closer! I’m thrilled to show you the cover art for the new edition of A Calculated Life, which is now available for pre-ordering on Amazon.
It’s been a wonderful experience having my self-published novel signed by 47North and the team has done a sterling job. The new cover, by theBookDesigners, has an echo of the original (I was surprised by that). And the paperback format is brilliant because the artwork wraps around the spine, with fragmentation of the image on the back cover. Just gorgeous. Great typography, too! I hope you like it.
My editor David Pomerico presented me with several covers. There was a clear consensus on the final choice!
As well as working with the 47North team, I’ve been carrying out research for a new writing project. I’ll tell you more once I’ve progressed beyond scribbles, post-it notes and chaotic bashing at my keyboard… Read more
Nine Worlds GeekFest explored sexuality and gender in science fiction in a fascinating range of debates including Why Is The Future So Binary? This super-packed-out event witnessed a lively exchange between the author-panelists and the attendees, who shouted out examples of gender diversity in SF literature. The event successfully drew together a list of fictional worlds featuring gender non-conformity as opposed to the usual girl-meets-boy scenarios. (More books for the To Read list!)
Alex Dally MacFarlane pointed to the classic example – Ursula K Le Guin’s novel The Left Hand of Darkness, set in a world without gender. ‘Le Guin pokes at gender binary,’ said MacFarlane. And chairing the discussion panel, Tori Truslow told the audience, ‘We need more! SF writers seem to think, “Le Guin did that so we don’t need to do it.”’ Read more
Science fiction writers are getting ‘carried away with fear,’ according to author Tricia Sullivan. ‘There’s a failure to imagine a positive future. As a writer it’s harder to build things up than blow things up… Finding an element of hope really does mean disabling all my instincts as a science fiction writer.’
Sullivan was part of a four-author panel debating the question Is Our Future Utopian Or Dystopian? at Nine Worlds GeekFest 2013 in London last weekend. Her remark came in response to a challenge from Tom Hunter, director of The Clarke Awards, who chaired the event. He asked: ‘How do we find an element of hope?’ Sullivan quoted from Oscar Wilde: ‘The basis of optimism is sheer terror.’ (From The Picture of Dorian Gray). Read more
Before you all hit ‘silent mode’ for the month of August (that is, those of you who live in the northern hemisphere), I thought I’d bring you up to date with what’s happening in my little world. It’s just one month since I received the email from David Pomerico at 47North offering me a publishing deal, and it’s been full-on hectic – in a good way – since then. But before I tell you what’s happening with the new edition of my book…
Over at Strange Horizons (SF articles, reviews, new fiction), you’ll find my review of Ioanna Bourazopoulou’s What Lot’s Wife Saw, translated by Yiannis Panas. This dystopian novel won the The Athens Prize for Literature.
While you are there, I’d recommend the article Evaporating Genres, by Gary K. Wolfe. Gary examines the crossover of SF with historical fiction, horror, fantasy and thrillers. Also, Niall Harrison is reviewing Angela Carter’s Nights at the Circus, which my local book group is reading at this very moment. Read more
I’ve signed a book deal with David Pomerico of 47North, Amazon Publishing’s science fiction, fantasy and horror imprint, for a new edition of my dystopian novel A Calculated Life.
How sweet does that sound? I can barely believe it.
The 47North team is based in Seattle and over this summer they will create a new cover for my novel, copy-edit and proofread the manuscript, including changing the text to American spellings (!), and release the new edition in mid-September 2013.
The original edition of A Calculated Life, with British English spellings and the great Mack Manning cover, will be available until the release of the 47North edition.
I’ve read some excellent feedback online from authors about their working relationships with Amazon Publishing and I can’t wait to get started. Read more
I posted this last week on The Huffington Post under a different title: Art, Social Collapse and Apocalypse: Spaceship Unbound
Imagine discovering, in a post-apocalyptic world, a trove of ancient newsreels and an old projector. You’re desperate to retrieve memories of your lost civilisation so… you rig up a bicycle-powered generator and start the film rolling. This appears to be the scenario constructed in Manchester’s Castlefield Gallery, currently presenting Spaceship Unbound – a group exhibition that takes Margaret Atwood’s post-apocalyptic novel The Year of the Flood as a starting point. Read more
I’m back from Hay Festival, the campervan is unpacked and I’ll be posting my favourite snippets from the 10-day literary event over the next few days. First up, Rhianna Pratchett in conversation with Guy Cocker.
‘Fifteen years ago when I was a games journalist, no one talked about narrative,’ said Rhianna Pratchett to a multi-generational Hay audience. Even today writers in the games industry, she said, were seen as narrative paramedics. ‘It’s only when a story is bleeding so badly that someone will say, “We really need a writer.” A lot of projects out there are like that.’ In general, writers were brought in too late because the industry failed to appreciate how much they added to a project. “There needs to be a narrative logic so that players actually care.”
Rhianna Pratchett is perfectly placed to comment on writing for the games industry. In 2007 she was a BAFTA nominee for her work on Heavenly Sword and she won a Writers’ Guild of Great Britain script award for Overlord. She’s also known for developing the voice of Lara Croft in Tomb Raider. Read more
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