Posts

UPDATE: Full Cover for Dreams Before the Start of Time and more…

A slightly belated Happy New Year, everyone! I hope I’ll be blogging more often this year—posting more conversations with some of my favourite authors and offering updates on writing projects. 

Last year was a full-on writing year, which meant I kept a very low profile. I seemed to spend the entire year flitting on-screen between Scrivener and a variety of news streams as I tried to make sense of the political shifts on both sides of the pond. How to respond? Probably through writing fiction!

During 2017, I’ll be out and about talking about my upcoming novel, Dreams Before the Start of Time (47North), and my novella, The Enclave (NewCon Press). Pre-ordering is now on for both titles in all formats.

Publishers Weekly ‘Most Anticipated’

Dreams Before the Start of Time is one of Publishers Weekly’s most anticipated titles of Spring 2017. I couldn’t hope for a better start! Read more

A Conversation With Speculative Fiction Author Nina Allan

Nina

Nina Allan’s Desert Island book is Iris Murdoch’s The Book and the Brotherhood. “There is something exalted about her work, a sense of heightened reality that shines a light on ordinary objects and occurrences and reveals their hidden magic – and madness.”

Award-winning author Nina Allan had fifty published short stories to her name before she wrote her first novel, The Race. This debut novel was shortlisted for the Arthur C Clarke Award. Her novella Spin won the BSFA Award for short fiction, and the French translation of The Silver Wind won the Grand Prix de L’imaginaire.

I’m delighted that Nina joins me today in a conversation about the writing process, touchstone influences and our writing quests!

Here goes—

ANNE: Recently I read Stephen King’s On Writing and although he gives great advice throughout, I was curious about one of his comments on the subject of theme. He feels that the theme of a novel is something that emerges in the first draft or after the first draft, and can then be enhanced in subsequent reworking. But for me the theme, or concept, comes first, before I start outlining and plotting a piece of fiction. How do you view the importance of theme? Does it vary from one writing project to another? Read more