Science fiction writers are getting ‘carried away with fear,’ according to author Tricia Sullivan. ‘There’s a failure to imagine a positive future. As a writer it’s harder to build things up than blow things up… Finding an element of hope really does mean disabling all my instincts as a science fiction writer.’
Sullivan was part of a four-author panel debating the question Is Our Future Utopian Or Dystopian? at Nine Worlds GeekFest 2013 in London last weekend. Her remark came in response to a challenge from Tom Hunter, director of The Clarke Awards, who chaired the event. He asked: ‘How do we find an element of hope?’ Sullivan quoted from Oscar Wilde: ‘The basis of optimism is sheer terror.’ (From The Picture of Dorian Gray). Read more
https://annecharnock.com/wp-content/uploads/2013/08/utopia-more.jpg411341annehttp://annecharnock.wpengine.com/wp-content/uploads/2015/08/AC-name-banner2.jpganne2013-08-13 12:16:392015-07-31 19:33:41Nine Worlds GeekFest #1: Is Our Future Utopian Or Dystopian?
Before you all hit ‘silent mode’ for the month of August (that is, those of you who live in the northern hemisphere), I thought I’d bring you up to date with what’s happening in my little world. It’s just one month since I received the email from David Pomerico at 47North offering me a publishing deal, and it’s been full-on hectic – in a good way – since then. But before I tell you what’s happening with the new edition of my book…
Over at Strange Horizons (SF articles, reviews, new fiction), you’ll find my review of Ioanna Bourazopoulou’s What Lot’s Wife Saw, translated by Yiannis Panas. This dystopian novel won the The Athens Prize for Literature.
While you are there, I’d recommend the article Evaporating Genres, by Gary K. Wolfe. Gary examines the crossover of SF with historical fiction, horror, fantasy and thrillers. Also, Niall Harrison is reviewing Angela Carter’s Nights at the Circus, which my local book group is reading at this very moment. Read more
I’ve signed a book deal with David Pomerico of 47North, Amazon Publishing’s science fiction, fantasy and horror imprint, for a new edition of my dystopian novel A Calculated Life.
How sweet does that sound? I can barely believe it.
The 47North team is based in Seattle and over this summer they will create a new cover for my novel, copy-edit and proofread the manuscript, including changing the text to American spellings (!), and release the new edition in mid-September 2013.
The original edition of A Calculated Life, with British English spellings and the great Mack Manning cover, will be available until the release of the 47North edition.
I’ve read some excellent feedback online from authors about their working relationships with Amazon Publishing and I can’t wait to get started. Read more
https://annecharnock.com/wp-content/uploads/2013/07/Screen-Shot-2015-07-31-at-19.40.13.png195257annehttp://annecharnock.wpengine.com/wp-content/uploads/2015/08/AC-name-banner2.jpganne2013-07-16 09:39:162015-08-26 16:21:31A Calculated Life signed up by publisher 47North
Imagine discovering, in a post-apocalyptic world, a trove of ancient newsreels and an old projector. You’re desperate to retrieve memories of your lost civilisation so… you rig up a bicycle-powered generator and start the film rolling. This appears to be the scenario constructed in Manchester’s Castlefield Gallery, currently presenting Spaceship Unbound – a group exhibition that takes Margaret Atwood’s post-apocalyptic novel The Year of the Flood as a starting point. Read more
https://annecharnock.com/wp-content/uploads/2013/06/Volkov-Commanders_Image-John-Lynch2.jpg430550annehttp://annecharnock.wpengine.com/wp-content/uploads/2015/08/AC-name-banner2.jpganne2013-07-01 08:29:032015-07-31 20:18:59Art Encounters of The Margaret Atwood Kind
The last of my blatherings on Hay Festival 2013; I’ve saved the heart-breakers until last.
NoViolet Bulawayo: Revisiting and celebrating her childhood in Zimbabwe.
NoViolet Bulawayo and Meike Ziervogel both delve into national traumas in their recent novels and both do so through a child’s point of view. On the final day at Hay I attended their emotionally charged event, which was introduced by Gaby Wood.
In NoViolet Bulawayo’s We Need New Names, 10-year-old Darling lives in a shanty named Paradise and, through her eyes, we glimpse the turmoil of Zimbabwe’s recent history. According to the author, ‘A child’s eye view depoliticises events and suspends my own belief. You have to tone it down; readers can easily be put off. But it was also fun because it allowed me to return to my childhood. It was a celebration.’ Read more
https://annecharnock.com/wp-content/uploads/2013/06/Screen-Shot-2015-07-31-at-20.27.40.png182223annehttp://annecharnock.wpengine.com/wp-content/uploads/2015/08/AC-name-banner2.jpganne2013-06-11 09:41:322015-07-31 20:28:05Hay Festival #6: NoViolet Bulawayo and Meike Ziervogel
‘Kamila Shamsie has placed Pakistani literature on the world stage,’ said Razia Iqbal introducing a Commonwealth Writers’ panel on the second weekend of Hay Festival. Kamila Shamsie’s most recent novel Burnt Shadows takes the reader across the globe from Nagasaki in 1945, through Partition in India and on to 9/11 in New York, and Afghanistan. (Shortlisted for the Orange Prize for Fiction). Read more
https://annecharnock.com/wp-content/uploads/2013/06/commonwealth-prizes.jpg258283annehttp://annecharnock.wpengine.com/wp-content/uploads/2015/08/AC-name-banner2.jpganne2013-06-06 14:23:452015-07-31 20:23:51Hay Festival #5: 6 Commonwealth Writers on Writing
Elif Shafak, author of ‘Honour’ – longlisted for the Women’s Prize for Fiction. ‘If there’s a dynamism in the book world in Turkey it is precisely because women read a lot.’
Elif Shafak would like to see more Turkish books translated into Kurdish. ‘I was mesmerized when I came to Hay that the road signs are in English and Welsh. Maybe one day in Turkey we will have Turkish and Kurdish road signs.’ Her country operated, she said, on the basis that ‘everyone is Turkish. We adopted the French approach.’
Shafak presented this year’s Raymond Williams Lecture at Hay Festival in association with PEN International. She writes in both English and Turkish and her latest novel Honour was longlisted for this year’s Women’s Prize for Fiction (now sponsored by Baileys). Here’s my review of Honour. Read more
https://annecharnock.com/wp-content/uploads/2013/06/Screen-Shot-2015-08-01-at-10.11.12.png142154annehttp://annecharnock.wpengine.com/wp-content/uploads/2015/08/AC-name-banner2.jpganne2013-06-05 15:01:282015-08-01 10:11:56Hay Festival #4: 7 Fiction Writers on Writing
I’m back from Hay Festival, the campervan is unpacked and I’ll be posting my favourite snippets from the 10-day literary event over the next few days. First up, Rhianna Pratchett in conversation with Guy Cocker.
Rhianna Pratchett: A Narrative Paramedic
‘Fifteen years ago when I was a games journalist, no one talked about narrative,’ said Rhianna Pratchett to a multi-generational Hay audience. Even today writers in the games industry, she said, were seen as narrative paramedics. ‘It’s only when a story is bleeding so badly that someone will say, “We really need a writer.” A lot of projects out there are like that.’ In general, writers were brought in too late because the industry failed to appreciate how much they added to a project. “There needs to be a narrative logic so that players actually care.”
Rhianna Pratchett is perfectly placed to comment on writing for the games industry. In 2007 she was a BAFTA nominee for her work on Heavenly Sword and she won a Writers’ Guild of Great Britain script award for Overlord. She’s also known for developing the voice of Lara Croft in Tomb Raider. Read more
https://annecharnock.com/wp-content/uploads/2013/06/Screen-Shot-2015-08-01-at-10.12.54.png219231annehttp://annecharnock.wpengine.com/wp-content/uploads/2015/08/AC-name-banner2.jpganne2013-06-04 10:15:142015-08-01 10:13:20Hay Festival #3: Rhianna Pratchett on Writing for Games
Will Self always pulls a big crowd at Hay and this year he dished out a sizzling mix of wit and venom, plus comic banter with interviewer Sarfraz Manzoor. In a (literally) terrific performance, he read from his latest novel Umbrella. As he later explained to the audience, Umbrella is the completion of a trilogy that follows ‘the outsourcing of violence’ in modern times.
He said Umbrella’s main character Audrey Death – a post-encephalytic patient in a London asylum – embodied the impact of technological developments in the 20th Century. In 1908 Henry T Ford built his first industrial production line, said Self, and in 1914 this new wave of industrialisation transferred to the trenches creating a production line of death. Read more
https://annecharnock.com/wp-content/uploads/2013/05/Screen-Shot-2015-08-01-at-10.14.36.png258281annehttp://annecharnock.wpengine.com/wp-content/uploads/2015/08/AC-name-banner2.jpganne2013-05-30 10:29:062015-08-01 10:22:39Hay Festival #2: Will Self and the Out-Sourcing of Violence
‘I do love the basic Anglo Saxon vocabulary,’ said US-writer Lydia Davis at Hay Festival. The remark was prompted by a question from the audience (Why do you write so many single-syllable words?) Davis continued: ‘I do like the Latinate, too, but Anglo Saxon is the language of great emotion. “I am so mad.” “You are so wrong.” When to use different registers of language is an interesting question. The story itself makes the choice.’ Read more
https://annecharnock.com/wp-content/uploads/2013/05/lydia.jpg277418annehttp://annecharnock.wpengine.com/wp-content/uploads/2015/08/AC-name-banner2.jpganne2013-05-28 13:27:022015-08-01 10:24:09Hay Festival #1: Lydia Davis Booker International Winner
Nine Worlds GeekFest #1: Is Our Future Utopian Or Dystopian?
/in Science Fiction, Writing FictionScience fiction writers are getting ‘carried away with fear,’ according to author Tricia Sullivan. ‘There’s a failure to imagine a positive future. As a writer it’s harder to build things up than blow things up… Finding an element of hope really does mean disabling all my instincts as a science fiction writer.’
Sullivan was part of a four-author panel debating the question Is Our Future Utopian Or Dystopian? at Nine Worlds GeekFest 2013 in London last weekend. Her remark came in response to a challenge from Tom Hunter, director of The Clarke Awards, who chaired the event. He asked: ‘How do we find an element of hope?’ Sullivan quoted from Oscar Wilde: ‘The basis of optimism is sheer terror.’ (From The Picture of Dorian Gray). Read more
Latest Shenanigans: Strange Horizons • 47North • Hugos …
/in 47North, Book Reviews, Science FictionBefore you all hit ‘silent mode’ for the month of August (that is, those of you who live in the northern hemisphere), I thought I’d bring you up to date with what’s happening in my little world. It’s just one month since I received the email from David Pomerico at 47North offering me a publishing deal, and it’s been full-on hectic – in a good way – since then. But before I tell you what’s happening with the new edition of my book…
While you are there, I’d recommend the article Evaporating Genres, by Gary K. Wolfe. Gary examines the crossover of SF with historical fiction, horror, fantasy and thrillers. Also, Niall Harrison is reviewing Angela Carter’s Nights at the Circus, which my local book group is reading at this very moment. Read more
A Calculated Life signed up by publisher 47North
/in 47North, EBOOKS, Science Fiction, Self-Publishing, Writing FictionBig news!
I’ve signed a book deal with David Pomerico of 47North, Amazon Publishing’s science fiction, fantasy and horror imprint, for a new edition of my dystopian novel A Calculated Life.
How sweet does that sound? I can barely believe it.
The 47North team is based in Seattle and over this summer they will create a new cover for my novel, copy-edit and proofread the manuscript, including changing the text to American spellings (!), and release the new edition in mid-September 2013.
The original edition of A Calculated Life, with British English spellings and the great Mack Manning cover, will be available until the release of the 47North edition.
I’ve read some excellent feedback online from authors about their working relationships with Amazon Publishing and I can’t wait to get started. Read more
Art Encounters of The Margaret Atwood Kind
/in Art, Manchester, POSTS on HUFFPOST, Science FictionI posted this last week on The Huffington Post under a different title: Art, Social Collapse and Apocalypse: Spaceship Unbound
Imagine discovering, in a post-apocalyptic world, a trove of ancient newsreels and an old projector. You’re desperate to retrieve memories of your lost civilisation so… you rig up a bicycle-powered generator and start the film rolling. This appears to be the scenario constructed in Manchester’s Castlefield Gallery, currently presenting Spaceship Unbound – a group exhibition that takes Margaret Atwood’s post-apocalyptic novel The Year of the Flood as a starting point. Read more
Hay Festival #6: NoViolet Bulawayo and Meike Ziervogel
/in Writing FictionThe last of my blatherings on Hay Festival 2013; I’ve saved the heart-breakers until last.
NoViolet Bulawayo: Revisiting and celebrating her childhood in Zimbabwe.
NoViolet Bulawayo and Meike Ziervogel both delve into national traumas in their recent novels and both do so through a child’s point of view. On the final day at Hay I attended their emotionally charged event, which was introduced by Gaby Wood.
In NoViolet Bulawayo’s We Need New Names, 10-year-old Darling lives in a shanty named Paradise and, through her eyes, we glimpse the turmoil of Zimbabwe’s recent history. According to the author, ‘A child’s eye view depoliticises events and suspends my own belief. You have to tone it down; readers can easily be put off. But it was also fun because it allowed me to return to my childhood. It was a celebration.’ Read more
Hay Festival #5: 6 Commonwealth Writers on Writing
/in Writing Fiction‘Kamila Shamsie has placed Pakistani literature on the world stage,’ said Razia Iqbal introducing a Commonwealth Writers’ panel on the second weekend of Hay Festival. Kamila Shamsie’s most recent novel Burnt Shadows takes the reader across the globe from Nagasaki in 1945, through Partition in India and on to 9/11 in New York, and Afghanistan. (Shortlisted for the Orange Prize for Fiction). Read more
Hay Festival #4: 7 Fiction Writers on Writing
/in Writing FictionElif Shafak, author of ‘Honour’ – longlisted for the Women’s Prize for Fiction.
‘If there’s a dynamism in the book world in Turkey it is precisely because women read a lot.’
Elif Shafak would like to see more Turkish books translated into Kurdish. ‘I was mesmerized when I came to Hay that the road signs are in English and Welsh. Maybe one day in Turkey we will have Turkish and Kurdish road signs.’ Her country operated, she said, on the basis that ‘everyone is Turkish. We adopted the French approach.’
Shafak presented this year’s Raymond Williams Lecture at Hay Festival in association with PEN International. She writes in both English and Turkish and her latest novel Honour was longlisted for this year’s Women’s Prize for Fiction (now sponsored by Baileys). Here’s my review of Honour. Read more
Hay Festival #3: Rhianna Pratchett on Writing for Games
/in Science Fiction, Writing FictionI’m back from Hay Festival, the campervan is unpacked and I’ll be posting my favourite snippets from the 10-day literary event over the next few days. First up, Rhianna Pratchett in conversation with Guy Cocker.
Rhianna Pratchett: A Narrative Paramedic
‘Fifteen years ago when I was a games journalist, no one talked about narrative,’ said Rhianna Pratchett to a multi-generational Hay audience. Even today writers in the games industry, she said, were seen as narrative paramedics. ‘It’s only when a story is bleeding so badly that someone will say, “We really need a writer.” A lot of projects out there are like that.’ In general, writers were brought in too late because the industry failed to appreciate how much they added to a project. “There needs to be a narrative logic so that players actually care.”
Rhianna Pratchett is perfectly placed to comment on writing for the games industry. In 2007 she was a BAFTA nominee for her work on Heavenly Sword and she won a Writers’ Guild of Great Britain script award for Overlord. She’s also known for developing the voice of Lara Croft in Tomb Raider. Read more
Hay Festival #2: Will Self and the Out-Sourcing of Violence
/in Book Reviews, Writing FictionWill Self in conversation with Sarfraz Manzoor
Will Self always pulls a big crowd at Hay and this year he dished out a sizzling mix of wit and venom, plus comic banter with interviewer Sarfraz Manzoor. In a (literally) terrific performance, he read from his latest novel Umbrella. As he later explained to the audience, Umbrella is the completion of a trilogy that follows ‘the outsourcing of violence’ in modern times.
He said Umbrella’s main character Audrey Death – a post-encephalytic patient in a London asylum – embodied the impact of technological developments in the 20th Century. In 1908 Henry T Ford built his first industrial production line, said Self, and in 1914 this new wave of industrialisation transferred to the trenches creating a production line of death. Read more
Hay Festival #1: Lydia Davis Booker International Winner
/in Book Reviews, Writing FictionLydia Davis: Novels simply take too long!
‘I do love the basic Anglo Saxon vocabulary,’ said US-writer Lydia Davis at Hay Festival. The remark was prompted by a question from the audience (Why do you write so many single-syllable words?) Davis continued: ‘I do like the Latinate, too, but Anglo Saxon is the language of great emotion. “I am so mad.” “You are so wrong.” When to use different registers of language is an interesting question. The story itself makes the choice.’ Read more