I find myself in splendid company in an anthology of short fiction and verse—Phantasma Stories—edited by J.D. Horn and Roberta Trahan. The release date is 22 September 2015.
My contribution is a near-future science fiction story titled “The Adoption.” Read more
I met E.J. Swift last summer when we shared a panel at LonCon 3, with David Hebblethwaite and Adam Roberts, discussing writers who cross the boundary between mainstream fiction and science fiction. Since then, I’ve finished my second novel, Sleeping Embers Of An Ordinary Mind, and E.J. has completed her trilogy The Osiris Project. Not only that…E.J.’s short story “The Spiders of Stockholm” has been long-listed for The Sunday Times EFG Short Story Competition.
We felt it was time for a catch-up chat—about past writing and future plans. Read more
SLEEPING EMBERS OF AN ORDINARY MIND
I’m absolutely thrilled with this title and I’m now excited about the next stage in the publishing process—cover concepts by 47North’s designers.
The publication date will be sometime this year and as soon as it’s firmly decided I’ll announce it here.
It was a tough challenge to find a title because this novel has three intertwining storylines set 600 years apart—in fifteenth century Italy, present-day China and twenty-second century London.
So when, and how, did I arrive at Sleeping Embers Of An Ordinary Mind? And how did I even choose a working title? Read more
I’ve had a lovely start to 2015! I actually left my writing cave to meet readers.
Author and literary critic Adam Roberts interviewed me at the January meeting of the British Science Fiction Association. He pitched some challenging questions, which led to a lively and wide-ranging conversation. If you couldn’t make it to the meeting, this blogpost by Andrew Wallace gives a good impression of the subjects that Adam and I discussed. Thank you, Andrew, for this detailed commentary. Here’s a brief extract from his blogpost: Read more
One of the most common questions I’ve been asked over the past 12 months has been, ‘When you start writing a novel do you know how it’s going to end?’
For me, there isn’t a simple Yes or No answer because so much depends on the individual writing project. In effect, pinning down the ending is less important in some projects than others. It’s an aspect of the writing process that I, too, find fascinating.
So in this blogpost I’ll explain a little further using my own experience of writing (a) A Calculated Life and (b) my current work-in-progress, which has the working title, The Academy. Read more
Finalists and their representatives for the Philip K Dick Award, Seattle, April 2014.
It’s my first Bookiversary today! I can’t believe it’s a year since the release of A Calculated Life by 47North. And, since release day, I’ve made a bunch of new friends within the SF community and enjoyed the continuing support of friends who read my novel when it was self-published.
So thanks to everyone! It’s been so exciting to find new readers and receive positive feedback from reviewers. Here’s a review by literary critic Adam Roberts on Sibilant Fricative, which I particularly appreciated. Full review here.
Charnock’s Manchester is quite unlike Blade Runner’s hyperreal city, and her prose creates a much more rounded sense of actual life than the deliberately flattened paranoidal patterns of Phil Dick’s writing. What she shares with Dick is the ability to write unease.
Extract from Sibilant Fricative review.
Michael Cunningham reads the opening pages of The Snow Queen
I had not one but THREE brief chats with my author hero Michael Cunningham at Hay Festival—at his author event, at his book signing and, by sheer coincidence, at the bar of the Old Black Lion. No, I wasn’t stalking!
Unbelievably, in my opinion, this was Cunningham’s first appearance at Hay Festival. He told me he’d been waiting for an invite.
Cunningham won the Pulitzer Prize for his exquisite fourth novel The Hours, which happens to be my favourite novel of all time. The film version of the book was directed by Stephen Daldry and starred Meryl Streep, Nicole Kidman, Julianne Moore, Ed Harris and Clare Danes. In his Hay Festival conversation with Rosie Goldsmith he said, “I must be the only living author who’s happy with the film of their book.”
Incidentally, his fifth novel, Specimen Days, was written in three parts and included a science fiction element. I asked about this foray into SF because of my own writing inclinations and he said that science fiction was definitely part of the zeitgeist at the time he wrote the novel.
The Snow Queen is his latest novel and it opens thus: Read more
Social change is an important issue for me when I’m writing science fiction. When I look at emerging technologies and science research, I ask myself: What’s going to be the social fall-out from these technologies? How will they affect the way humans interact with one another?
So I was pleased to take part in a panel discussion at Norwescon 37 in Seattle on Near-Future Political Science Fiction. My first thoughts were: What counts as ‘near-future’? Does a story need to be overtly political? And, can I include a story in this particular niche if the setting is ambiguous? I reminded myself of the mantra from 60s feminism: ‘The personal is political.’ Read more
If you’re sad that you couldn’t attend Norwescon in Seattle last weekend, have your own stay-at-home experience with this taster of current science fiction writing.
Nominees for the Philip K Dick Award 2013 read extracts from their novels at the Awards Ceremony, with a brief introduction by the charming Gordon Van Gelder Read more
So here we have, from the left, Ann Leckie’s representative Ellen Brady Wright (Orbit), err…me, Cassandra Rose Clarke, Ben H Winters, Toh EnJoe (special citation), and EnJoe’s translator, Terry Gallagher.
What a thrill to be in this line-up. The lovely Ben H Winters won the Philip K Dick Award 2013 for Countdown City, sequel to The Last Policeman. Ben is a smart and witty writer so make a note of his two titles! This photo was taken at Norwescon in Seattle where the award ceremony takes place every year. Here’s a full list of the nominated works.
Award administrator Gordon Van Gelder (left) and T William Sadorus (right) ceremony coordinator.
Each author read an extract before the award was announced and I have to admit I’m getting accustomed to reading in public, and I definitely enjoy the experience. The award is administered by Gordon Van Gelder, award-winning editor of the New York based Magazine of Fantasy & Science Fiction.
I was delighted to join Gordon on a panel discussion on Philip K Dick’s literary legacy, together with Toh EnJoe, Nick Mamatas (EnJoe’s editor), Jack Skillingstead and Cassandra Rose Clarke. We each talked about our connections with Philip K Dick’s writing. For me, Read more
